The cats lie, eyes-closed, on the sofa where he died.
The rise and fall of fur. Three sets of ears pitched
cautiously in my direction. Where I sit, he sat, worn out,
eyes fixed on three bright bars of straight, unmoving heat.
They’ve taken him. Still here, the life he left from,
the things he never seemed to see – the empty
hearth, its burned-through grate remaining
unreplaced; the cotton dishcloths drying.
Above, on the enamelled mantel, his little joke –
the china collie dog my mother bought him,
head down, facing out the clipped-out snap
of sheep, wrapped round an old and empty tin;
some matches and a scrap of card with pencilled stock on.
All this beneath the noiseless clock, the simple
calendar from Scot’s Gap, the royal samplers Jane,
his elder sister, made and which she hardly dared
put on the wall for fear of what he’d say.
Now, both are gone. The tongue that troubled her
fills the farmhouse kitchen with its silence.
Monday Mart day. Nothing left to sell.
The cats take their untroubled ease, as if sleep
was their sole pleasure. From his he’d wake and stare
the fire out, stroking them with fingers strong as roots
and thickened with the honour of his work.
The electric bars give out their heat, heat he
sat in front of as he died, boots on, and cap,
waiting for what we’ll never know – a rest?
more warmth? a stockman’s knock upon the door?
Alone he died, alone my mother found him,
eyes closed and sitting up; called him,
felt his cooling brow, and knew its time.
The doctor laid him flat beneath a blanket,
lifted him like a child, a body age had lightened,
and, as they talked, his cats claimed last possession,
lying in their accustomed comfort on his feet.
Look at those cats, she’d said, and shook her head.