Prospects of Leningrad

A visit to the [now former] Soviet Union I made as part of a school party in 1987 took place at the height of Glasnost and Perestroika. Gorbachev was in command and communism was re-inventing itself. Hope was in the air. As yet, the war in Afghanistan had not created Al Qaeda, and Global warming was a long way from cold winters in Britain [or Moscow]. However, Ronald Reagan and Margaret Thatcher still worked to undermine the evil empire, and ultimately they succeeded.

Everything in Russia was swept away, the drunken opportunist Boris Yelstin stopped a tank in its tracks, and the rest is history.

The suicide bomber invented a new sense of secuirity. Former soviet torturers became billionaires and owned football clubs. Gas supplies were held to ransome, and Europe prepared to shiver.

But the Cold War, at least, was over.

Arbeit Macht Frei – background

25 April 2012

Arbeit Macht Frei [Work sets you Free] adorns the gate at Auschwitz. It greeted all new inmates to the camp. It was intended to create the illusion of safety, and hope. It is one of the greatest statements of cynical deception ever written. I have imagined a current world, but one which follows a triumphant Germany, and a museum at Auschwitz-Birkenau that celebrates a different kind of shrine.

Wedding Reception

The guy across the aisle is drunk and nearly spliced.
Engaged in spreading happiness around our train,
he understands the value of an adjectival fuck or two.
Sadly, his rendering of Country Roads, Take Me Home
brings an earnest female guard to remonstrate.
His a capella charm breaks no ground with her,
nor yet the phone call to his girl who’s coming to his aid.

The train deccelerates, points slur the wheels’ straight hiss,
his end’s in sight. He does not see or care what fate this seems
to usher him. His full steam bonhomie may not
fit him best man for the journey, but now we know him
for our long lost friend, we plead he will unpledge
the generous blessing confettied on the “jobsworth” guard.

The journey we have briefly shared draws in to town
and stops. The girl he’s summoned to his early wedding
feast is nowhere to be seen. Only the majesty
of Five Transport Police have come to welcome him.
He platformed stands, ignored and under guard. It’s sad.

Norland – background

Norland was a ferry that went to the Falklands’ War, in 1982 – years later, she took a party of Cheshire teachers on a Shakespeare tour of Germany, which might be a more interesting theme! HMS Antelope was sunk in San Carlos Water, by the Argentine Air Force. The Battle of Jutland was an indecisive clash between the Royal Navy and the IHSF of Germany in 1917. The Herald of Free Enterprise was a RoRo ferry that sank off Zeebrugge because the man responsible for closing her bow doors was asleep.

Norland was scrapped in India in 2010. Lord knows what happened to the painting.

MV Norland

In the Antelope Bar strangers of passage
gather to digest their dinner over drinks,
and slip away from England in brochured comfort.

Where we sit, a modest painting disturbs the wall’s
chromatic harmony. Enshrined in brassy light,
it’s artless tribute shows narrow land,
a brief, unsheltering sea, and two ships caught
in the trap of war: Antelope broken in two,
her risen bow an elegant finger of authority
in the defeating air; and Norland, black hulled
and squat, escaping an explosion of brush strokes
in the impassive water at her stern.

Tonight, in pastel pinks and greys, and trimmed
reflectively in chrome, she moves with safety
on the oily darkness, and we can share
with drinks and cigarettes, that necessary
spoil of war, indifference. But in
the disco, on the light shadowed floor,
where now two lines of swaying figures row
to the commands of music learnt in clubs
in safe English towns, they might have brought
the wounded, burned or bloody from the sea,
and lain them, the assault of air and history
still screaming in their ears. Beneath the bleary
excitement of the music, great engines turn.
There is a shiver in the soft clad floor.

And out there, in the stream of night’s ugly
tenderness, Jellicoe’s great Navy grappled
indecisively with the Imperial Fleet
of the usurper, and unvanquishable
dreadnoughts split their sides and poured their crews’
closed lives into the minute’s oceans.
To such tunes of glory as were played,
boys drowned, and ‘our bloody ships’ kept to their
schedules. Over such waters do we dance,
our moving pleasures measured by the closing
of the bar, a final slow paced sway
in careless arms, and coffee served to keep
awake the conversation. Beyond the glass,
a continent of wind sweeps past, unnoticed.

In the daylight, Zeebrugge’s harbour extends
two claws into the grey flecked sea. Norland
sails past immaculate where other tourists died.
The upturned bathtub boat, the TV lights,
the hand beneath the canvas shroud. Ungraspable.

Dawn and sobriety bring closer touches
of such ironies. Shivering from the cold,
we cluster to the funnel, and look out across
the half healed gulf in silence. From the ship’s
steel heart come shudders of warmed air. At last,
we go below to wait our final call.

 

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